In Death 18 - Portrait In Death by J.D. Robb

In Death 18 - Portrait In Death by J.D. Robb

Author:J.D. Robb [Robb, J.D.]
Language: eng
Format: epub
Published: 2011-04-29T04:00:00+00:00


Eve found Leeanne Browning at her apartment. The professor wore a long red shirt over a black skinsuit, and had her hair bundled back in a braid.

"Lieutenant Dallas. Officer. You just caught me. Angie and I were about to head out." She gestured them inside as she spoke. "We're going to spend a few hours working in Central Park. The heat brings out all sorts of interesting characters."

"Including us," Angie said, hauling a large toolbox into the room.

Leeanne laughed, low and lusty. "Oh, absolutely including us. What can we do for you?"

"I have some questions."

"All right. Let's sit down and try to answer them. Is this about poor Rachel? There's a memorial service for her tomorrow evening."

"Yes, I know. I'd like you to look at these. Do you recognize the subject?"

Leeanne took the image of Kenby, standing in front of Juilliard. "No." While Eve watched her face, Leeanne pursed her lips. "No," she said again. "I don't think he's one of mine. I'd remember this face. Striking face."

"Good form," Angie added, leaning over the back of the sofa. "Nice, graceful body type."

"An excellent study. Very well done. The same, isn't it?" Leeanne asked. "It's the same portrait artist. Is this handsome young man dead?"

"How about this one?" Eve offered the picture of the dance troupe.

"Ah, a dancer. Of course. He's built like one, isn't he?" She made a small sound, a little breath of distress. "No, he's not familiar to me. None of them are. But this isn't the same photographer, is it?"

"Why do you say that?"

"Different style, technique. Such drama, and a wonderful use of shadows here. Of course, you'd want drama in this study, but . . . It seems to me that whoever took this dance study is more experienced, more trained, or simply more talented. Both, by my critique. Actually, at a guess, I'd say this was a Hastings."

Intrigued, Eve sat back. "You can look at a photo and identify the photographer."

"Certainly, if the artist has a distinct style. Of course, a clever student or fan could copy it very well, digital manipulation and so on. But this first isn't what I'd call a stylistic homage."

Setting them side-by-side, she studied them again. "No. It's very distinct and different. Two artists, interested in the same subject, and seeing it through different perspectives."

"Do you know Hastings, personally?"

"Yes. Not well, I doubt anyone does. Such a temperamental soul. But I use his work quite often in class, and he's allowed me, with some considerable persuasion, to conduct some workshops for my students in his studio over the years."

"She had to pay him out of pocket," Angie chimed in. She was still leaning over the sofa, with her chin nearly resting on Leeanne's shoulder. "Hastings likes his money."

"That's true." Leeanne's tone was cheerful. "When it comes to his art, he doesn't compromise, but he's firm on making a profit. His store, his commercial work, his time."

Eve began to play another angle in her head. "Any of your students ever work for him as models or assistants?"

"Oh yeah," Leeanne answered with a chuckle.



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